ARCHIVAL WEBSITE
Click here to go to our new website www.orlandoshakes.org

Merry Wives of Windsor '07

Box Office Calendar Playfest Education Organization Archives Directions Contact Us
  Performances
  Archives
 
Past Seasons  Archives
  
New Plays / Playfest  Archives  

  Education
  Archives
 
   The Young Company Archives
 
 Intern Training Archives
   Study Guide Archives

  Organization
  Archives
 
  
Shakespeare Center
   
Facility Rental
   
Contact Us
   
Mission, Vision, Values

  SEARCH Our Site

  Home

 


Pictured above: Mistress Page (Anne Hering), Falstaff (Dan McCleary) and Slender (Michael Gill)

The Merry Wives of Windsor
By William Shakespeare
April 4 – April 29, 2007
Margeson Theater

Come see Shakespeare’s fattest of knights, Sir John Falstaff, as laughter reigns supreme and feminine wisdom triumphs over a jealous husband, confused lovers, and a web of merriment in this light-hearted comedy.  The Merry Wives of Windsor is the story of  Falstaff, a local knight who is as good a liar as he is a lover…or so he thinks! When Falstaff arrives in the town of Windsor, he is in desperate need of money. Instead of trying to find employment, he decides to secretly pursue two wealthy women and swindle them. He chooses the Mistresses Ford and Page, and writes them identical love letters. What he doesn’t count on is the close friendship between the women…their own exceeding cleverness…and his own conniving servants! Disguises and double entendres abound as plots and sub plots develop, complete with manipulative messengers, secret scandals, and plenty of paramours. The Merry Wives of Windsor is directed by Jim Helsinger.

Call the Box Office
407-447-1700 x 1 - Mon-Fri 10am-5pm
(Tickets are not currently available online)


Pictured above: Rugby (Vandit Bhatt), Simple (Chris McIntyre) The Host (Brad dePlanche)
and the cast of The Merry Wives of Windsor


Merry Wives Video Clip

Show Information

Wednesdays and Thursdays at 7:00PM;
Fridays, Saturdays at 8:00PM;
Sundays at 2:00PM
Tickets: 4/5 and 4/6 Preview Nights - $12;
Thursdays, Sundays - $30, $25, $20;
Fridays, Saturdays - $35, $30, 25; 4/18 2PM
Senior Matinee – all seats $12;
Students save $5 off select sections;
Groups 10+ save up to 20%
 

Falstaff (Dan McCleary) and Ford (Philip Nolen)

Presenting Sponsors


A. Brian Phillips, P.A.            
Carlton Fields


CAST
Sir John Falstaff – Dan McCleary*
Mistress Margaret Page – Anne Hering*
Master George Page – Patrick Flick*
Anne Page – Beth Brown
Mistress Alice Ford – Suzanne O’Donnell*
Master Frank Ford – Philip Nolen*
Doctor Caius – Timothy Williams*
Mistress Quickly – Allison DeCaro*
John Rugby – Vandit Bhatt
Sir Hugh Evans – Mark Lainer*
Host of the Garter Inn – Brad DePlanche*
Robin – Mary Candler
Bardolph – Matthew Harris
Pistol – Blake Logan
Nym – Trista Duval
Master Fenton – Liam Schahill
Master Robert Shallow – Bob Lipka
Master Abraham Slender – Michael Gill
Peter Simple – Christopher McIntyre
* - denotes member of Actor's Equity Assocation


Mistress Quickly (Allison DeCaro) and Falstaff (Dan McCleary)

 


REVIEWS

Merry Wives' Makes Merry Audiences

The Orlando Sentinel
Review by Elizabeth Maupin. Posted 4/11/07

Mistress Ford (Suzanne O'Donnell) and Falstaff (Dan McCleary) -

Behold Falstaff. Watch as he tries to hoist his girth up a single step, one ankle crossed ever so daintily behind the other. Observe as he regards his oversize physique approvingly in a full-length mirror. Pay attention as he claims that a woman has admired him: When theatergoers laugh in disbelief, he reproaches them with mournful eyes.


Dan McCleary’s Sir John Falstaff is larger than life, but in a way that includes life’s subtleties along with its excesses. And the vehicle created to carry him, Shakespeare’s comedy The Merry Wives of Windsor, follows Falstaff’s lead. McCleary’s Falstaff isn’t the only one who looks like a handsomely wrapped birthday present – or maybe an overstuffed sofa – in this opulent Orlando-UCF Shakespeare Festival production, where the luxurious brocades of the costumes are bedecked by manifold ribbons and bows. But director Jim Helsinger hasn’t spent his energy on inflating a flimsy apparatus to five times its normal size. He and his actors have found what’s human in Shakespeare’s characters, and they’ve played that humanity up big.

It helps that Helsinger has on hand a pretty nifty cast, with McCleary and Philip Nolen in two of the leads, Anne Hering and Suzanne O’Donnell as the title characters and some of Orlando’s best actors in supporting roles. Nor does it hurt that Merry Wives is one of Shakespeare’s most likable comedies – happy-go-lucky, easy to follow and based among the recognizable middle-class folk of the playwright’s day. Shakespeare wrote Merry Wives, the story goes, because Queen Elizabeth demanded a play about Falstaff in love. The result was a comedy about the corpulent knight trying to swindle two well-off men by seducing their wives – but falling for the traps they set when the women turn the tables. Of course, each of the women has trouble at home. Mistress Page (Hering) and her husband are trying to marry their eligible daughter off to a rich man, but they can’t agree who’s best suited. Mistress Ford (O’Donnell) must cope with a jealous husband (Nolen), who goes to great lengths to thwart hanky-panky that, in reality, is all for show.

Helsinger is big on comic business, but here he doesn’t overdo the shtick, and his actors get to display their chops by making smallish roles memorable. Michael Gill makes a dopey, doleful would-be bridegroom and Mark Lainer a sweet-tempered Welsh knight with a very odd speech pattern; Timothy Williams plays a grand French doctor with an accent that makes Peter Sellers’ look subtle. A few of the cast members blend into the genial background, and one or two come off as strident rather than funny. But the principals are terrific – Hering as the resoundingly merry Mistress Page, O’Donnell (here with McCleary) as the amusingly melodramatic Mistress Ford and especially the two men who play their comic foils.

Costumed like an oversized elf, Nolen plays Ford in a permanent snit, until he dons the clothes and accent of a grandiose Spaniard and lisps his way into Falstaff’s confidence. And McCleary, whose fat suit and cane make him believably hefty, finds so many shadings in Sir John – greed and lechery, but also age and want and wisdom – that he can move you beyond giggles to tears. “Oh, poor Falstaff,” whispered the woman sitting behind me at the opening-night performance. “I feel so sorry for him.” When she wasn’t laughing herself silly.


'Merry Wives' is Shakespeare done right

FLORIDA TODAY
By Pam Harbaugh

Pictured: Page (Patrick Flick) and Ford (Philip Nolen)
Here's an idea. Tell someone you're taking them to Orlando to see a bona fide slapstick, fall-on-your-face funny play. Laugh like crazy, enjoy yourself immensely and then tell them they've just seen Shakespeare. It's the Orlando Shakespeare Theatre's "The Merry Wives of Windsor," which is such frothy fun you'll wish it didn't end. Director Jim Helsinger and his talented cast embellish the production with rich humor, detailed characters and an easy understanding of the comedy.

Of course, in the more poetic moments, as when two lovers swoon, Shakespeare's words do become paramount. But here, the story and characters drive the production. It concerns the corpulent knight Sir John Falstaff, who drinks and loves too much. While Falstaff made his appearance in the two "Henry IV" dramas, it is said Queen Elizabeth was so taken by the silver-tongued character that she requested Shakespeare to include him in another play. After returning from meeting his demise as an offstage character in "Henry V," Shakespeare brought Falstaff to life again in this rustic comedy.

In "Merry Wives," Falstaff is quite broke and tries to dupe Mrs. Page and Mrs. Ford out of their husbands' money. He decides to feign love for the two women. His plans fall awry, though, when they discover his plans. They lead him on to trick and ridicule him. The simple set of two doors, a curtain and a balcony over all proves a perfect backdrop for the comic intricacies involving a host of deliciously drawn characters. Dan McCleary imbues Falstaff with more than two yards' worth of girth. Leading a ragtag group of disloyal rogues, he schemes for drink and merriment but always brings a tenderness to his shenanigans.
As Mistresses Page and Ford, Suzanne O'Donnell and Anne Hering are like stuffed pigeons, cooing and twittering over their schemes for Falstaff.

Philip Nolen is his over-the-top best in the comic role of Master Ford, the man who fears he is being cuckolded. There's no one better than Nolen when it comes to double takes, comic timing and expressive posturing. Nolen never lets Shakespearean dialogue trump his comic sense. Indeed, the words follow rather than lead. He almost dares the audience not to laugh when, in an effort to ferret out the truth about his wife, Ford takes on the alter ego of Spanish Master Brook. As Dr. Caius, Timothy Williams does the same in his syrupy French accent. Dirty hair falling in ringlets down to his shoulders, pompous pants tied above the ankles to show off his lavender stockings are the perfect foils for this nostril flaring, preening fool who actually says: "If dere be one or two, I shall make-a the turd."

As Caius' servant, Vandit Bhatt serves one of the funniest recurring gags when he follows the doctor in a tightly choreographed "walk this way" fashion. Michael Gill is wonderfully befuddled as Master Slender, who appears to have an unclear sexual orientation in his forced pursuit of Ann Page. But watch out, even in the midst of all these fine actors, newcomer Allison DeCaro nearly steals the show as Mistress Quickly. DeCaro turns her juicy character into a ripe fruit of a woman. The stage brightens considerably when she enters. DeCaro is a bundle of stage energy with a lively face and presence. Like the best of them, she has an ability to turn the most ambiguous dialogue into crystal clear prose.

And, oh, the look of it all. Because the spring show is not outdoors this year (the amphitheater is being renovated), we get to see the entire breadth of the beautiful lighting and props and glorious costumes that shows designer Denise Warner at her best.
This is truly a treat. Don't miss it.


Gets a Laugh From Every Joke!

INK 19
By Carl Gauze

Hugh Evans (Mark Lainier), The Host (Brad De Planche) and Dr. Caius (Tim Williams)

Some men are just natural overachievers. Short on cash, roguish Sir John Falstaff (McCleary) decides to simultaneously seduce two wealthy yet happily married women. His big mistake was using a form love letter, and when the women compared notes they decide he's a buffoon (true) and deserves whatever he gets (true again). As the torture beggins, Mistress Margaret Page (Herring) and her doting husband George (Patrick Flick) work to marry their very marketable daughter Anne (Beth Brown) while Mistress Alice Ford (O'Donnell) puts up with her naturally jealous husband Frank (Philip Nolan). As they wreak havoc on his person and pride, they involve husbands, servants, and anyone else who wander on stage. Poor Falstaff, he just wanted to clean out their wallets and bring them permanent Elizabethan disgrace.

With the complete "A" list of OSF actors, Merry Wives gets a laugh from every joke that could possibly connect with a modern audience. Both Hering and O'Donnell were delightful as they poured torture upon torture on the men. Tim Williams as Dr .Caius gives one of the finest French fop performances he's ever done, and Phillip Nolen battles Brad De Planche for the most overwrought self gnawing award in the show. Best of all, McCleary's rotund Falstaff never seems particularly upset, as if he's already in on the jokes played upon his oddly grey head...

                                                                 Last Updated: 05/06/2007                    Copyright Orlando Shakespeare Theater